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Mikka Lene Pers seated and leaning into her laptop screen. Aside from her hands, the image of her is translucent, and we can see through her to and through the window behind, where a green plant climbs a slatted fence.
Figure 1.

Dr. Mikka Lene Pers has a background in social and clinical psychology from the University of Copenhagen. Mikka’s doctoral research focuses on multimodal storytelling practices on social media. It is motivated by her interest in studies of identity construction that take a narrative interactional perspective.

Mikka’s PhD research identifies narrative strategies used by women to establish themselves as a specific kind of social media influencer, namely mommy vloggers. It shows how mommy vloggers construct branded influencer identities by managing multiparticipatory, cross-platform activities that narrate how their family lives unfold. Mikka’s research points to gains and risks faced by social media users who navigate commercialized, algorithmically regulated, and increasingly directive social media environments. 

Mikka has experience teaching, lecturing, and supervising students on social and personality psychology, digital culture and communities, social media, and narrative identity, and contributed to the 2017 Somerset House Dear Diary exhibition (http://deardiaryexpo.co.uk/). 

Narrating mothers’ lives

Video 1.

[Singing] Twinkle twinkle little star, how I wonder what you are

Up above the world so high, like a diamond in the sky

Social media offer a broad range of tools for digitizing ephemeral moments of day-to-day life and sharing these representations with others and integrating them into networked, dynamic archives.

Women too increasingly use social media to document and share their everyday lives as mothers and at the same time invite practices related to the production and circulation of social media content into their everyday family lives.

A social media genre that has become popular among mothers is YouTube video blogging or “vlogging,” and over the last around nine years a rather big community has developed around mommy vlogs.

“Hi! Welcome back to my channel! This is my birth story video. I’m one week postpartum…”

The mommy vlogging community is not clearly spatially bounded; instead it consists of a number of subcommunities that gather around specific mommy vloggers and the various social media sites that they use.

In mommy vlogs women represent life as a mother through recorded enactments of motherhood.

“It’s been a bit of a busy morning for me. I have been getting my jobs done tidying up, and Georgie and Poppy decided to draw tattoos all over each other, so I'm gonna go stick them in the bath in a minute. I’ve just got all the clothes ironed…”

So, in various way, stories told through mommy vlogging travel beyond the people who’ve actually experienced the events that have been depicted or have even been eyewitnesses to them. Because mommy vloggers not only narrate their own lives or their own experiences but also the experiences of other people who become on-screen interactants. Furthermore, audiences to vlogs through their engagement with vlogs can reinterpret and in various ways reframe the meaning of experiences of on-screen interactions such as mommy vloggers but also their family members. So what we see happening in the mommy vlogging community is very much a coming together of people and technologies and spaces that fosters a collaborative process of meaning making, where people collaboratively find ways to understand what it means to be a mother today and what life as a mother entails.

“Tomorrow, Lee is getting a vasectomy… and I’m not sure what’s happened to me over the last few hours really, you know, it’s really hard to explain. I’ve just kind of started freaking out a little bit, I just kind of started panicking if you want to put it that way. So what does it mean to be pregnant? How does pregnancy change the way you relate to your body? What does it mean to give birth and afterwards to suddenly be a mother, how is this transition done? How does it feel to clean the floor over and over and over again?”

These types of discussions are carried out in the mommy vlogging community.

At the same time many mommy vloggers talk about how to them it’s really important that YouTube vlogging allows them to build archives of these documentations of family life that they can share with their children and with other family members and friends.

“My primary reason for putting so much work into it, is because I’ve got all these memories of the kids and things that we do to look back on. I didn't think from when I first started vlogging it would turn into something that I’d still be doing nine years later.”

What distinguishes mommy vlogging from earlier practices such as family photography or home video-making is that the archives that consist of an accumulation of mommy vlogs are very much interactive and also networked. So, it’s not only mommy vloggers who in isolation put together these documentations of family life over time.

Mommy vlogging, or interaction in the mommy vlogging community, also needs to be understood with reference to a broader commercialization of social media which has led to a commodification of experience.

“Over the years YouTube has evolved so much, especially with this kind of mommy vlogger community, and I feel really lucky to be a part of it.”

“Over the last couple of years, I’ve kind of seen it change direction slightly with brands wanting to work with vloggers, which is an amazing opportunity. I’ve worked with some fantastic brands which I didn’t think I’d ever do anything like that, but like I said, the primary thing is the memories for me, but working with brands is just an added bonus.”

Mommy vloggers suddenly can monetize these documentations of everyday life, and then they can also make various deals with companies and incorporate branded products into their videos and make branded videos, and they need to think about how they can balance these activities, having to do with monetary gain, with activities that have to do with being part of a community and building an archive for them to later look back on.

So, the interactivity and commodification of mommy vlogs presents mommy vloggers with certain opportunities, but then also entails at least partly a loss of ownership of the representations of their families’ lives that accumulate on social media.

“Yeah… hope that you’re all right and you’ve had a great weekend. I just wanted to come on and talk. So yes, I'll see you soon.”

Mikka on mommy vlogging and her PhD project

Video 2. Mikka discusses mommy vloggers and her PhD project. Ego Media / Lisa Gee

My name is Mika Lena Pers.

I have a background in psychology, and I’m interested in the storytelling activities that people engage in in order to make sense of the world, and of their own role in it and other people’s role in it.

I’m particularly interested in storytelling practices surrounding a specific kind of social media user, which is a mommy vlogger.

Mommy bloggers started appearing on YouTube around 2007, 2008 and started making these these vlogs about everyday life as a mother.

When mommy vloggers share their lives online, what they put out is basically one version of their lives that people then can pick apart, and they can further discuss, and they can sort of try to to collaboratively scrutinize and understand the meaning of.

And this is basically what interaction in this particular community is all about.

Many of the mommy vloggers have become very, very well established and quite well known and treated a little bit like celebrities. And the community that they gather around them, or that gathers around them, also has grown and become quite big.

I have conducted a focused case study of how the lives of seven mommy vloggers are plotted, or how stories about them are told and plots are circulated in social media.

I coded 557 mommy vlogs and looked at how mommy vloggers presented their lives in them, how they performed motherhood, and how they then shared these these performances of motherhood on YouTube.

And then I also did some more fine-grained interactional narrative analysis of particular interactions, and then looked at how they contributed to these emplotment practices.

Mikka on social media

Video 3. Mikka talks about how her research has changed her use and understanding of social media. Ego Media / Lisa Gee

In social media we’ve been given new tools for participating in storytelling activities. So, once someone has shared content online, lots of different people at different times, from different places, and having different tools for doing so, can engage with it and can connect content, and can circulate content, can recontextualize content in ways that the original poster didn’t quite anticipate, and maybe also isn’t able to control.

When I started my research in 2015, social media was in the early stages of a shift, I think, towards storytelling, actually, to more social media sites being laid out to actually try to understand life across time.

Before I started the PhD, I had disabled most of my social media, because I thought, “Oh wow, something quite scary is beginning to happen here, I’m not sure if I want to be part of it.”

My research has made me more explorative, and has made me more open to trying out new social media platforms, because I feel like I have to understand what it is that is happening in social media.

Doing this this project has really given me a much better understanding of the degree to which our lives are mediatized. So, how hard it really is to sort of disentangle social media practices from our everyday life. So, in order to understand people’s lives today, in order to understand what is important to them, we just need to understand their social media activities as well.

Sections

Social Media Case Studies > Researching the Narrative Construction of Mommy Vlogger Influencers > Data Sampling, Tracking, and Tracing

Data Sampling, Tracking, and Tracing

screen shot of mommy vlog reading … come with me on my journey through life as a woman, wife and mother

Social Media Case Studies > Researching the Narrative Construction of Mommy Vlogger Influencers

Researching the Narrative Construction of Mommy Vlogger Influencers

slow exposure image of Mikka Lene Pers at her computer in front of a window, in which you can see the window "through" her

This section introduces the phenomena of mummy vloggers and mummy vlogging and how they are studied by Mikka Lene Pers

  • Forms and Practices
  • Interaction
  • Methodologies
  • Self
  • Software and the Self
  • Time
  • Mikka Lene Pers
  • affordances
  • digital ethnography & tracking
  • emblematic events
  • embodiment
  • ephemerality
  • identity
  • immediacy
  • influencers
  • multimodal analysis
  • multimodal semiotic analysis
  • narrative
  • narrative analysis
  • participation
  • performance
  • place/space
  • platforms
  • plot/emplotment
  • positioning analysis
  • recontextualization
  • sharing everyday life
  • sharing life-in-the-moment
  • small stories
  • small stories research
  • social media
  • sociolinguistics
  • story-linking
  • storytelling
  • tellability
  • video
  • YouTube
  • YouTube video titles

Rachael Kent examines health management and self tracking; Mikka Lene Pers reflects on mommy vloggers; and Stijn Peeters explores IRC and Twitter.